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Fire Force (2019)
An utterly ordinary battle shonen about fire
The art immediately betrays the hand of Soul Eater's author, while the plot looks like a linear battle shōnen in the vein of Fairy Tail and reveals its crazier side only over time, on a slow burn that takes two or three seasons to show that nobody is entirely right. Compact episodes, handy for an evening, for a perfectly ordinary series that offers a bit of carefree fun.
The Odyssey (2026)
A stellar cast at the cost of a slow pace
Thanks to a budget of around 250 million dollars, the music, costumes, performances and settings are of the highest standard, with a meticulous take on fantasy and iconic scenes such as the beached Trojan horse or Agamemnon's armour, all under one keyword: extravagant.
The plot and pace, however, are hard to follow: the first half is slow and for over an hour, amid Nolan's trademark cuts, it left me with questions and a great deal of boredom, though less than Oppenheimer. The liberties taken with the original, with a one-eyed monster that is not the Cyclops, brutes that are not the Laestrygonians and a Circe who is not the sorceress of the poem, make the story alienating and hard to swallow for fans of the epic. I am neither among those who love Nolan nor among those who hate him: to me it is a nice film, but not a masterpiece.
Supergirl (2026)
The usual action adventure: ordinary, but acceptable.
At last there is a clear thread with no plot holes and none of the political complications of the previous Superman, making for a classic, nice and enjoyable action film that never goes further. The visuals are still top-notch, while the soundtrack is once again repetitive. Many panned it because of a bad trailer, but you do not judge a book by its cover.
Superman (2025)
Lex Luthor ends up being stupid
The problem is Lex Luthor, presented as a businessman and media figure, with a baseless campaign that, once it collapses, drives him to want to destroy the world for no reason: weak, hysterical and stupid, for the smartest man in the world. Add to that pointless anonymous villains and a jingle repeated ad nauseam, set against flawless cinematography and CGI. I appreciate the new take on Superman, but Luthor is terribly written and he is the reason I hated the film.
Account emptied without a judge
11 million tax bills are coming.
In July 2026 Italy's tax collection agency announced around 11 million payment notices, and behind that number lies Article 72-bis of Presidential Decree 602/1973, a 1999 rule that lets the tax authorities order a bank directly to pay, with no hearing and no judge. What is new is not the rule but the volume. The account is reached at the end of a chain of acts, from the payment notice through the sixty days to the order to the bank, and seizures have precise limits linked to the social allowance: on the account the last salary payment is protected, on wages the brackets of Article 72-ter apply, and pensions are untouchable below 1,092.48 euros. Besides the account there are vehicle seizures, mortgages, foreclosure and the blocking of public payments, and upstream sits the register of financial relationships, where the GDPR battle is fought.
You defend yourself by checking the notification, which is valid even if the envelope was never opened, the limitation period, the legal challenges and above all instalment plans; a foreign account escapes the order, but moving money to evade it is a crime. Hence the point of view: eleven million notices are about cash, not tax justice, and they hit people with two thousand euros in the bank, not large fortunes, in a state that hands out blanket discounts when it needs consensus and forced collection when it needs liquidity. The surprise is that people keep finding out from their bank statement rather than from the Official Gazette.
Chat control 2.0
Europe's surveillance, paid in instalments
On 9 July 2026 the European Parliament brought back into force until 2028 the derogation that lets platforms voluntarily scan messages and emails, even though most members present had voted against it: at second reading an absolute majority was required. End-to-end encrypted communications were excluded by a handful of votes, but the principle remains the analysis of everyone's communications, without suspicion and delegated to private companies. This is only the first of three tracks: the permanent chat control regulation, stuck at the fifth trilogue on the choice between generalised scanning and detection ordered by a judge, and the new retention of the metadata of every digital service, encrypted messengers included. In Italy, the decree implementing the AI Act allows facial recognition authorised by the public prosecutor rather than by an independent judge.
Together, the three tracks normalise generalised suspicion along the lines of the Overton window: the maximalist proposal shifts the centre and whatever is left looks like a reasonable compromise. The objections of the European Data Protection Supervisor and the German authorities, from false positives to weakened encryption, remain unanswered. Mass surveillance never arrives with a single vote: it comes in instalments, and each instalment looks small.
Pillars of Eternity 2 (2018)
Better than the first, although still wordy
The world explores cultures and conflicts, such as the one between the Rauatai and the Huana, the plot is tighter, the dialogue more concise, and abilities, spells and pacing are finally intuitive. What remains is limited music and some reused assets. It is a clear improvement over the first game, and I recommend it to all fans of old-school cRPGs.
Pillars of Eternity 1 (2015)
Bad gameplay destroys everything
The world is grim, polytheistic and individualistic in the Western tradition, the storytelling is gripping and the environments are hand-painted. It is ruined, however, by gameplay full of flaws, with confusing and counter-intuitive abilities, chaotic stronghold time and verbose dialogue. My advice is to play Pillars of Eternity 2 instead.
Four Laws That Will Tell Us Who We Are
Elections, autonomy, security and welfare
July 2026 put four dossiers on the lawmakers' desk which, read together, tell where the country is heading. INPS presents itself as a "welfare workshop", but behind the slogan pensions rely more and more on general taxation, with a gap of about 77 billion a year between benefits and contributions. Differentiated autonomy is back on track, with the Senate approving the preliminary agreements despite the Constitutional Court's cuts and the referendum declared inadmissible, while the accounts and the issue of the essential service levels remain open.
The "Stabilicum", passed at first reading by the Chamber, brings closed lists without preference votes and a fixed majority bonus at 42%, with constitutional doubts already on record. The "save-Roggero" rule in the Security bill, which denies compensation to anyone injured while committing serious crimes, would not even save Roggero and raises an equality issue. All but autonomy are still proposals, and they should be followed by telling the announcement from the law and the law from its real effects.
Backrooms (2025)
A weird horror movie with dissonant music
The concept is genuinely innovative at last and its freshness keeps you engaged, while the soundtrack and structure leave a constant, perhaps deliberate, feeling that something is off. The ending leaves far too many questions open, but the film does deliver a fair amount of scares.
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